A great weekend to view art in Brisbane

Anthea Polson Gallery has a pop-up gallery this weekend at The Woolshed, Teneriffe, in Brisbane. With the Gerhard Richter exhibition at QAGOMA, and Yayoi Kusama opening Saturday, it's a great weekend for Brisbane art viewing. There's also Tim McMonagle at Edwina Corlette Gallery, Adam Lester at Jan Murphy Gallery, and plenty more!

Yayoi Kusama

Yayoi Kusama

Gerhard Richter,  Ella

Gerhard Richter, Ella

Anthea Polson Woolshed Pop Up Gallery

November 2 - 5, 2017

View Exhibition     |    Exhibition catalogue    |    

  Peter Smets , Convenience    2017, oil on canvas, 75 x 90 cm

 Peter Smets, Convenience 2017, oil on canvas, 75 x 90 cm

OPENING PREVIEW
Thursday 2 November / 4-7pm
Drinks + Platters

OPENING NIGHT - MEET THE ARTISTS
Friday 3 November / 4-8pm
Drinks + Platters

EXHIBITION CONTINUES
Saturday 4 November / 11-5pm
Refreshments served

  Jodie Wells , Gentle Observation - Brown Horse    2017, oil on canvas, 80 x 53 cm

 Jodie Wells, Gentle Observation - Brown Horse 2017, oil on canvas, 80 x 53 cm

  Carolyn V Watson , pluck    2017, pastel primer, ink, willow charcoal and watercolour on linen, 49 x 55 cm

 Carolyn V Watson, pluck 2017, pastel primer, ink, willow charcoal and watercolour on linen, 49 x 55 cm

Congratulations Robyn Sweaney, 2017 Wynne Prize Finalist

Robyn Sweaney has been announced a Finalist in the 2017 Wynne Prize at the Art Gallery of New South Wales.

"Time and tide is from a series of paintings that I am currently working on about the Australian coastal landscape. These paintings are about time past and the promise of slowing down in the future; the anticipation, contemplation, sunlight and shadows, still salt air and silent static moments.

Time and tide  2017, acrylic on linen, 40 x 50 cm. Image courtesy Anthea Polson Art.

Time and tide 2017, acrylic on linen, 40 x 50 cm. Image courtesy Anthea Polson Art.

Approaching the landscape as a living vessel of memory, the work considers how certain places conjure images from the past, tempered with the transient shadow of the present. They express personal embedded ideas about my own experiences of place and of those that have been here before.” Artist Statement: Robyn Sweaney, 2017

Read Robyn Sweaney's full interview in BAM Spring '16 Issue

"We were delighted to host Robyn's Fade to Blue exhibition in 2016 which formed part of this body of work," said Anthea Polson Art, on the Gold Coast. "Robyn is extremely accomplished and throughout her career has won or been a finalist in a significant number of prestigious Australian art prizes. We encourage you to consider Robyn for your own collection."

Robyn Sweaney: Fade to Blue

Robyn Sweaney's latest exhibition, Fade to blue, is open from Saturday, November 12, at Anthea Polson Art on the Gold Coast. Here, the award-winning Mullumbimby artist reflects on personal experiences and the various kinds of beachside dwellings that may still be encountered along the Australian coastline.

“There’s a lot of blue. These paintings are about times past and the promise of a slowing down in the future; the anticipation, a longing, sunlight and shadows, clear skies and crisp, fresh mornings - a time for contemplation,” Sweaney says. 

“For this exhibition I have depicted beach houses, some double story but most single, standing amongst developing seaside suburbs as well as those in smaller unaffected villages. Not architecturally significant and often humble, they nevertheless reflect a distinctive aesthetic,” continues Sweaney. “On a personal level,” she muses,  “these places trigger an emotional response, a reminiscing that is a mixture of pleasure with a hint of sadness and longing. In the stillness of winter I am thinking of summer.”

“My favourite time of year is after summer when things are quieter, the light is softer and shadows deeper,” says Sweaney. “Glimpsed amidst the trees or set behind lawns that are a little untidier than the manicured front gardens of the suburbs, many of these houses have been painted in differing shades of blue, softened by years of harsh sunlight,” she imparts. “And invariably, the sea has inspired their names and those of the streets; Pacific Breeze, Sea of Dreams, Beachcomber, Seagull Avenue…”

Read our interview with Robyn Sweaney in the first issue of BAM, here.

Sweaney has been awarded the Allan Gamble Memorial Prize, Mosman Art Prize and the Border Art Prize this year. It has also earned her multiple representations in many of the nation’s most prestigious art awards. To name but a few: the Portia Geach Memorial Award; the Doug Moran National Portrait Prize; the Sulman Prize; the Wynne Prize for Landscape; the Fleurieu Art Prize; the Gallipoli Art Prize; the Salon des Refuses; the Paddington Art Prize; the Mosman Art Prize; the Northern Rivers Portrait Prize; the Tattersall’s Club Landscape Prize; the Adelaide Perry Drawing Prize; JADA, Jacaranda Drawing Prize; EMSLA, Still Life Award and the Country Energy Art Prize. Sweaney holds a Bachelor of Education (Arts and Crafts), State College of Victoria, Melbourne, 1978. She was the Education and Audience Development Officer, Tweed Regional Gallery and Margaret Olley Art Centre, Murwillumbah from 2011 - 2015. Her works are in the following Collections: Art Bank, Gold Coast City Art Gallery, Gold Coast University Hospital Collection, Grafton Regional Art Gallery, Lismore Regional Art Gallery, Tweed River Regional Gallery, Mater Hospital, Sydney, Mitchell Library, State Library of NSW, Southern Downs Regional Art Collection, Stanthorpe.

The exhibition 'Robyn Sweaney - Fade to blue' is showing at Anthea Polson Art, Shop 120 Mariners Cove, Seaworld Drive Main Beach QLD 4217 (next to Marina Mirage), from November 12 - November 26 2016