Surrounded by the immense natural beauty of the Byron Hinterland, Diana attributes the slowly evolving nature of her work to her environment, saying that her paintings are “more pared back and the palettes more toned down” in comparison to the more detailed and busy work of her pre-Byron life. She says that “part of this is also a result of an abstraction course with Michael Cusack at the BSA earlier this year, which definitely saw a shift in my approach to my work”.
Diana explains her work and process as abstract and intuitive. "I work with a basic palette and an expressive, loose arm, with no reference point – merely colour, texture and shape as my tools with which to work. Applying paint in layers, my acrylics get brushed on and then wiped off and layered again in a game of give and take-away! Sometimes, something will start to take shape fairly early on and other times the canvas will evolve more slowly. Ultimately when the work is resolved I feel an enormous amount of satisfaction and peace."