Woven Sculpture, Wearable Art and Sound Installation at Dust Temple

DUST TEMPLE
Presents

NEST
Exploring The Ephemeral Nature Of Home

 Saturday 7th July - Thursday 2nd August

@ DUST TEMPLE, 54 Currumbin Creek Road, Currumbin

OPENING NIGHT - Saturday 7th July 2018 @ 6pm

 

A Multiple Disciplinary Art Exhibition


Featuring Woven Sculpture,  Wearable Art, and Sound Installation as a unique body of work created by two local emerging artists

Anaheke Metua & WHAIA

Diving deep into their cultural roots and showcasing a unique set of skills in woven sculpture, wearable art, and sound installation
these bold and authentic artists have created an exhibition that is a compelling ode to the strength,
beauty, and skill of our avian counterparts.
 
Their
complimentary artworks explore the rich symbolism of the NEST as an ephemeral home through texture, malleability, colour, use of raw materials, sound and video.



Sculptor and Fibre Artist
 
Anaheke Metua

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This body of work is a retrospective view of the many and varied homes that have shaped Anaheke’s life and work as an artist.
 
This process has nurtured an inward journey through her bloodlines, cultural
beliefs and behaviors regenerating her idea of  home to reshape and strengthen her NEST for the next generation.


Sonic Weaver

&

Wearable Arts Designer


Whaia creates a range of Fine Art Headwear embellished with a wide spectrum of crystals, up-cycled antique jewelry, and fabrics complimenting the energy of each individual piece,
destined to get your attention and awaken the inner Goddess

As a ‘Sonic Weaver’, Whaia integrates her collection of Traditional First Nations instruments, Singing Crystal Bowls and divine vocals, bringing forth her unique delivery of Sacred Sonic Ceremonies.

Whaia nurtures you through her meditation sound journeys, creating an atmosphere that is sure to put a lasting resonance in your cells.


 

SEALEVEL - The Art of Awareness - Ocean Photography Exhibition by Ted Grambeau

Renowned ocean, surf and adventure photographer Ted Grambeau has created a collection of abstract ocean images in hope of bringing our attention to the very real issue of climate change.

For over 40 years, Melbourne-born Ted Grambeau has been consumed by his quest to capture the world through his lens. It's an obsession that has led him on a journey to nearly 100 countries, exhausting over a dozen passports. He’s mostly known for leading adventure expeditions into remote locations in search of undiscovered waves and is most at home when deeply immersed in the ocean.

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“Photography is more than a passion, it is my life,” he says. With formal studies in Illustrative photography at RMIT University in Melbourne, Grambeau communicates an intimate relationship with light, a sophisticated understanding of its various expressions – the refraction, reflection and absorptions. The documentary nature of this project requires that Ted be at the waters edge before dawn, when most of us haven’t even thought about opening our eyes.

When he’s not chasing monster waves half way around the world, he prefers to live by the ocean at Currumbin on the Gold Coast. Finding balance, Ted keeps life ‘low key’ but when given the opportunity to share his thoughts on photography an animated creative is revealed.

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He is inspired by the Masters Henri Cartier-Bresson and Sebastião Salgado. A photojournalist style is expressed in his work after having spent his formative time assisting the great Magnum legend Burt Glinn of New York.

As Ted explains his views on environmental issues, he touches on the frustration he feels towards climate change and the urgency of action that needs to occur before our sea levels rise beyond the point of no return. “The effects will be devastating before we actually notice.” he says.

Image courtesy Trent Mitchell

Image courtesy Trent Mitchell

Ted is one of the world’s great surf and ocean photographers. Over the past 30 or so years he’s had more surf magazine covers than he can remember. His CV of magazine articles, expeditions, movies and books is an afternoon's read in anyone's language. He studies and monitors weather maps and understands the intricacies of an impending swell forecast well in advance. He has traveled to locations that will be lost, submerged under water once the sea levels start to rise due to the change in climate.


Excited by the prospects of exhibiting his work again, Ted reflects on the first time he showed his SEALEVEL Series at the Pipeline Gallery in Hawaii. Special guests like Kelly Slater and leading environmentalist Jack Johnson came along, with Jack’s wife Kim selecting a few pieces to hang in their home on the North Shore. And then in Sydney at the prestigious Stanley Street Gallery in Darlinghurst as a featured solo exhibition for the Head On Photo Festival. “It’s always great to spend some time chatting with art collectors and critics, all with an ecstatically positive response so far. “It’s nice to use my photography in a positive manner and that I have something to give and make a contribution for spending a bit of time on the planet.”

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sealevel #3

sealevel #3

Ted’s current exhibition is showing at the Hinge Gallery, located at the Dust Temple in Currumbin as part of the Bleach Festival and Gold Coasts Arts and Culture feature coinciding with the 2018 Commonwealth Games celebrations. Opening night will be a bit special as Grambeau will be launching and signing copies of his new book Adventures in Light - a photographic journey spanning four decades combined with his abstract ocean photography exhibition SEALEVEL - The Art of Awareness.

#PRIZENOPRIZE at The Walls Art Space

CHASE ARCHER, HAILEY ATKINS, JANIS CLARKE, RICKY LARRY, 
SOPHIE PENKETHMAN-YOUNG, MELISSA SPRATT, VEOPLE (JAY JERMYN & JULIAN CURRIE)

CURATED BY MARIAM ARCILLA

Opening this Saturday 2 December 5 - 8pm

*Opening night only performance by VEOPLE 6.30pm
**Complimentary Stone & Wood Beer and Miami Mimosas on the house, all night!

Exhibition continues until 16 December, 2017

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ABOUT #PRIZENOPRIZE
Riding along the undercurrents of Turner Prizes and Archibalds, #PRIZENOPRIZE is an exhibition that champions and democratises art across all media and levels. Think of it as a soft power alternative to the head-churning, nail-biting process that comes with applying for art awards - or being shortlisted for the coveted Bachelor rose of the artworld.

There is no prize money, entry fee or % commission on sales; instead this is an open platform for contemporary and experimental artists (especially emerging artists) across Australia to exhibit/perform at THE WALLS this December -- which we think is a prize in itself. We'll be showcasing a cross-section of works, including multi-disciplinary, projection and moving-image based, performance and large-scale installation works. #PRIZENOPRIZE 2017 marks the second year of the national open call and exhibition.

ABOUT THE ARTISTS
CHASE ARCHER is an emerging artist based in Brisbane. Chase obtained his Bachelor of Fine Art in 2015 from the Queensland College of Art and is currently completing his Honours. Archer questions how traditional media practices such as painting, print and drawing can maintain relevance in a contemporary environment that is focused on dematerialised art practices. He describes his artworks as painted collages, assembled from images ranging from personal iPhone photos, to the historic art canon. In creating artworks on translucently primed plywood substrates, which remain visible in the final artworks, Archer disrupts the ‘illusory window’ often employed in traditional paintings, creating a platform in which he presents his deconstructed artworks. Archer regularly exhibits in Brisbane and Melbourne, and recently completed a month-long residency on the west coast of Tasmania.

HAILEY ATKINS is a Brisbane based artist making work that she hopes makes people feel good and remember laughing is good stuff – especially when it’s at your own self. Her sculptural practice sits at the intersection of humour, failure and ambivalence, and explores how the resulting aesthetic can be utilised to meaningfully disrupt the negativity surrounding failure and self-doubt and help us think of alternate ways of being and knowing that stand outside our conventional understanding of success. Atkins is a Queensland College of Art graduate (BFA with Honours (Class I)) and has exhibited widely in Queensland, as well as interstate (Sydney, Hobart) and internationally (Utrecht, Netherlands). She is co-director of Wreckers Artspace in Brisbane, and upcoming artist in Residence at Kaus Australis, Rotterdam (Jan-Mar 2018).

JANIS CLARKE is an emerging artist living and working in Sydney. He has completed a Bachelor of Fine Arts (2015) and a Master of Fine Art (2017) at the National Art School. Clarke has a profound interest in the critique of painting in contemporary art. He consciously undermines established norms (both personal and historical) and to this end, he embraces failure and the anti-aesthetic sensibility as strategies for moving painting forward to somewhere new. He does this through the use of anti-authorial gestures, the kitsch of craft, and by embracing the use of so called ‘low’ colours, materials and processes such as fluorescents, spray paint, collage and decoupage. By employing counter-intuitive methods (such as ‘wrong’ instead of ‘right’) Clarke tries to undermine his own ingrained stylistic tendencies to create something unanticipated. Situated somewhere between painting, craft and sculpture, these abject principles are applied to the installation, presentation and construction of each work. Since 2015 Clarke has held three solo exhibitions and has been selected as a finalist in major prizes including the Doug Moran National Portrait Prize (2016, 2015), The Mosman Art Prize (2016, 2015), The Chippendale New World Art Prize (2015 - Winner People’s Choice Award) and the Rick Amor Drawing Prize (2016).

RICKY LARRY is a Brisbane based artist who completed a Bachelor of Fine Art (2014) at Queensland College Of Art. Since graduating from Queensland College of Art in 2014 Ricky has held two solo exhibitions and been selected for several group shows including 'Shifting Grounds’ at The Hold Gallery, West End. Larry’s art practice examines the nature of perception in relation to space, environment and form through the use of photography, video and installation. Utilising materials to challenge a logical thought process, illusions are introduced in an attempt to fracture the viewer’s go-to mode of rationality. Incorporating ‘objects’ into familiar environments to generate a “questionable image”, forces the audience to draw conclusions as they make sense of the works.

SOPHIE PENKETHMAN-YOUNG is a video and new media artist whose work explores the telling of histories through objects, museum culture and their intersection with the digital age. She examines the equalising nature of platforms such as youtube, where the BBC, Metropolitan Museum and NASA have uploaded vast archives, that now sit in the same context as beauty bloggers and school pranks. Sophie graduated from the University of Sydney College of the Arts with Honours in 2014. She is currently studying her Masters in art curatorship. Day to day, Sophie works part time in marketing at Carriageworks, does Ikebana and adDs to her archive of NASA footage and old national geographic magazines.  

MELISSA SPRATT is an emerging artist who lives and works on the Gold Coast. Melissa studied at the Queensland College of Art, Gold Coast, where she completed a Bachelor of Digital Media with Honours, majoring in Fine Art in 2015, including an exchange at the Leeds International Summer School at the University of Leeds, UK. Spratt has worked across various mediums including painting, photography, drawing and printmaking, more recently exploring textile and design elements in sculpture, and working closely with different yarn making and finger-knitting techniques. Spratt was the winner of the RADFLY Youth Art Prize in 2017, finalist in the Border Art Prize at Tweed Regional Gallery in 2016, and was invited to hold a self titled solo exhibition at The Arts Centre Gold Coast in 2015. Her most recent installation works explore landscapes, ecosystems and patterns found in plant anatomy.

VEOPLE is a collaboration between Gold Coast-based artist JAY JERMYN and local musician JULIAN CURRIE, and is best described as a place where analogue meets machine. The collaboration strives to create atmospheric journeys full of energy and enigma that demand attention and captivate crowds. Jermyn solo practice communicates the weight and importance of social acceptance through an interweaving of creative expressions including design, sound and visual art. Jermyn studied Art and Design at Griffith University on the Gold Coast where he developed a multi-disciplinary practice that seeks to confront cultural divisions, both geographical and metaphorical. His practice is influenced by journeys through Japan and Eastern Europe, and is defined by an ongoing quest to locate enigmatic identities and emotions; both of which emerge as abstract and ambiguous forms in his work.

The Walls #PRIZENOPRIZE 2017 Artists Announced

CHASE ARCHER, HAILEY ATKINS, JANIS CLARKE, RICKY LARRY,
SOPHIE PENKETHMAN-YOUNG, MELISSA SPRATT, VEOPLE (JAY JERMYN & JULIAN CURRIE)

CURATED BY MARIAM ARCILLA

Opening Saturday 2 December 5 - 8pm

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*Opening night only performance by VEOPLE **Stone & Wood Beer and Miami Mimosa's on the house all eve!  Exhibition continues until 16 December, 2017


Keep your eyes on the no-prize! #PRIZENOPRIZE returns for a second year.


Riding along the undercurrents of Turner Prizes and Archibalds, #PRIZENOPRIZE is an exhibition that champions and democratises art across all media and levels. Think of it as a soft power alternative to the head-churning, nail-biting process that comes with applying for art awards - or being shortlisted for the coveted Bachelor rose of the artworld.


There is no prize money, entry fee or % commission on sales; instead this is an open platform for contemporary and experimental artists (especially emerging artists) across Australia to exhibit/perform at THE WALLS this December -- a prize in itself! They'll be showcasing a cross-section of works, including multi-disciplinary, projection and moving-image based, performance and large-scale installation works.

Talk Suite | Coming into Fashion

The Arts Centre Gold Coast is hosting an impressive talk suit to coincide with the Coming into Fashion: A Century of Photography at Condé Nast exhibition.

This full-day talk suite will see the biggest names in Australian and international fashion come together with journalists, practitioners, and thought leaders to discuss their expertise and the future of the industry. With two full panels and two intimate in-conversation sessions, the day is punctuated by a networking lunch. Talk Suite attendees will gain free entry to the exhibition and also have the chance to mingle and speak directly with the special guests at the end of the day.

Saturday 25 November | 10am – 4.30pm | Tickets $45

Talk Suite Schedule

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Condé Nast, The Empire
10am – 11am
This panel will see Coming into Fashion Exhibition Curator
Natalie Herschdorfer, Exhibition Manager Todd Brandow,
Vogue Australia Deputy Editor Sophie Tedmanson, and
curator and writer Alison Kubler come together to discuss
the enduring legacy of publishing house Condé Nast.
They will dissect, critique, and celebrate the iconic images
featured in the exhibition, exchanging opinions and stories
you won’t be able to hear anywhere else. Attendees will
gain a deeper understanding and appreciation of the best
artists and photographers in contemporary fashion history.


Oracle Fox Talks
11.15am – 12.15pm
Amanda Shadforth is the brains and creative genius behind
one of the world’s most recognised fashion destinations,
Oracle Fox. Alison Kubler will host this intimate in-conversation
session and together they will cover the future of fashion
photography, illustration, and what social media means for
photography. Amanda is an accomplished illustrator and artist,
and has worked as a photographer and stylist on dynamic
digital campaigns and creative projects for international luxury
brands such as Versace, Ralph Lauren and Louis Vuitton. She
has grown Oracle Fox’s audience to its current reach of over
1.5 million people.


Lunch break with beverages and networking

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Sunday Best to Fast Fashion
1.30pm – 2.30pm
How has the way we make, sell, and market clothes
changed? Listen to an illuminating (and at times alarming)
conversation with Clare Press, the highly regarded author
of Wardrobe Crisis: How We Went From Sunday Best to
Fast Fashion. Clare is the Fashion Editor-at-Large at Marie
Claire Australia, Daily Life’s Sustainable Style columnist,
and now produces the Wardrobe Crisis podcast. Hosted by
Alison Kubler, these women bring their combined wealth
of research and real-world experience to discuss the
evolution of the fashion system, from past to present, and
will discuss what they see as the future of fashion. Clare
will be available for book signings after their conversation.

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Fashion and the Sartorial Gentleman
2.45pm – 3.45pm
The final session for the day will be a lively discussion
between two of fashion’s finest gentlemen, hosted by Alison
Kubler. Men in This Town began as a street style blog, and in
the past seven years Creative Director Giuseppe Santamaria
has grown the project into a magazine, book, and concept
space. Paul Hunt’s studio is in Brisbane, but he also spends
time each year sourcing fabrics and finding the inspiration for
his award-winning couture in Paris. Giuseppe and Paul both
have, and purvey, impeccable style, and this panel promises a
worldly insight into both Australian and international fashion.


After drinks and networking, the day will
conclude at 4.30pm

Talk Suite image - Sebastian Kim, Teen Vogue, January 2011 © Sebastian Kim  

Talk Suite image - Sebastian Kim, Teen Vogue, January 2011 © Sebastian Kim  

Coming into Fashion: Condé Nast fashion retrospective opens at ACGC

The highly-anticipated fashion photography retrospective Coming into Fashion: A Century of Photography at Condé Nast opens Friday at The Arts Centre Gold Coast.

The greats are all here: images by Cecil Beaton, Irving Penn, Helmut Newton, Herb Ritts and Mario Testino (& more!) line the gallery walls. It's a must-see exhibition for anyone living in, or visiting the Gold Coast.

Here is what's on offer:

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Opening Night | Coming into Fashion

Friday 24 November | 6pm – 9pm | Tickets $90
The opening night party is your opportunity to mingle with the style greats and get an exclusive first look at Coming into Fashion: A Century of Photography at Condé Nast. Your ticket includes flowing drinks and delicious canapés through the night, touch-ups and tips from the experts at the Garbo & Kelly Beauty Bar, and photo opportunities at the designer vogueing wall. Once you’ve taken in the exhibition, spend the rest of the night on the dance floor with live band Tesla Coils and a vinyl DJ. As an opening night guest you will gain free entry into the exhibition plus one more ticket for when you want to return later in the season.

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Talk Suite | Coming into Fashion

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Saturday 25 November | 10am – 4.30pm | Tickets $45
This full-day talk suite will see the biggest names in Australian and international fashion come together with journalists, practitioners, and thought leaders to discuss their expertise and the future of the industry. With two full panels and two intimate in-conversation sessions, the day is punctuated by a networking lunch. Talk Suite attendees will gain free entry to the exhibition and also have the chance to mingle and speak directly with the special guests at the end of the day.


General Admission

25 Nov 2017 until 18 Feb 2018, open daily 10am-5pm (closed Christmas Day)

Coming into Fashion: A Century of Photography at Condé Nast is a ticketed exhibition on display at Gold Coast City Gallery. With unprecedented access to the vast Condé Nast archives, this exhibition highlights the sparkling intersection between photography and fashion.

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General exhibition image: Sølve Sundsbø, Love, Spring/Summer 2011© Sølve Sundsbø/Art + Commerce. Subsequent images:  Miles Aldridge, Vogue Italia, September 2002,© Miles Aldridge. Albert Watson, American Vogue, May 1977© 1977 Condé Nast. Sebastian Kim, Teen Vogue, January 2011 © Sebastian Kim Clifford Coffin, American Vogue, June 1949, © 1949 Condé Nast.

Yannick Blattner | THRUST

THE WALLS Gold Coast

YANNICK BLATTNER
THRUST

Exhibition runs until 18 November

Glamour, machismo and the Gold Coast’s glitzy subtropical self-image: Yannick Blattner’s THRUST offers the provocation of symbolic displays of pointless power and pent-up energy with nowhere to go. Concerned with the dichotomies, contradictions, and paradoxes of the Australian male identity, Blattner employs cultural clichés to interpret larger cultural norms and social dynamics. THRUST captures leisure culture through the commercial manifestations of Queensland’s sub-tropical lifestyle; byproducts of a climate that is simultaneously idyllic and unforgiving.

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Yannick lives and works in Brisbane, Queensland. He was recently artist-in-residence at the Museum of Brisbane (2017), which culminated in a solo exhibition in the gallery. Yannick’s recent solo exhibitions include: All Gone Shane Warne at Inhouse ARI (2013), Low Blow at Spiro Grace Art Rooms (SGAR) (2014),Heatwave at Zeppelin Projects in Melbourne (2015), and Contrived Circumstances at SGAR (2016). He has been a finalist in the Churchie National Emerging Art prize (2015) and the Gold Coast art Prize (2015). Yannick Blattner graduated a Bachelor of Fine Art with Honours (first class) from the Queensland University of Technology (2014), during which he received the inaugural Hild Chenhall Scholarship for painting.

Entries for #PRIZENOPRIZE close this Sunday

POUNCE ON THE PRIZE: Entries for #PRIZENOPRIZE close this Sunday 12 November

An open call for a group show at The Walls Gallery, Gold Coast

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[OPEN CALL/GROUP SHOW]
CURATED BY MARIAM ARCILLA

*Entries close this Sunday 12 November at 11:11pm AEST
**Exhibition dates 2 - 16 December, 2017

Keep your eyes on the no-prize! #PRIZENOPRIZE returns for a second year.

Riding along the undercurrents of Turner Prizes and Archibalds, #PRIZENOPRIZE is an exhibition that champions and democratises art across all media and levels. Think of it as a soft power alternative to the head-churning, nail-biting process that comes with applying for art awards - or being shortlisted for the coveted Bachelor rose of the artworld.

There is no prize money, entry fee or % commission on sales; instead this is an open platform for contemporary and experimental artists (especially emerging artists) across Australia to exhibit/perform at THE WALLS this December -- which we think is a prize in itself. We're keen to showcase a cross-section of works, including cross-disciplinary, projection and moving-image based, performance and large-scale installation works.

TO APPLY:

Post a sample of your work (image, sound, text or moving image) to Instagram and tag @thewallsgc and hashtag #PRIZENOPRIZE. In the caption, add your  Artwork Title, Year, Medium, Size/ Duration, followed by your Artist Name, Location, and Website or Instagram handle. Alternatively you can email your entry to mail@thewalls.org.au or DM us on Insta like a secret squirrel.

We will announce the finalists on Instagram and The Walls website on Friday 17 November. If you are selected, we’ll tag you on Instagram and get in touch shortly after to discuss your participation in the show.

The not-so-fine print:

*Artists much be over the age of 16 and a resident of Australia

*Works on paper and photographs must be framed for exhibition purposes

*All works must be delivered to THE WALLS for exhibition by 29 November

*THE WALLS will cover the cost of returning the artworks by freight where necessary

*THE WALLS has limited resources - you may need to provide appropriate equipment for the presentation of new media works. Please consider this when applying

*THE WALLS and guest curator's decisions are final

**By participating in #PRIZENOPRIZE, you agree to THE WALLS recording and reproducing images and video footage of your artwork for promotional and documentation purposes. Work will always be credited, and, where possible, we will tag you on social media.

THE WALLS ART SPACE
4/18 Mountain View Avenue MIAMI 4220 GOLD COAST QUEENSLAND AUSTRALIA

Opening night events are held from 5 - 8pm on the first Saturday of the month from March through to December. We're open Thursday to Saturday 11am - 4pm during exhibitions, or by appointment. Closed public holidays. 

Robyn Sweaney: Fade to Blue

Robyn Sweaney's latest exhibition, Fade to blue, is open from Saturday, November 12, at Anthea Polson Art on the Gold Coast. Here, the award-winning Mullumbimby artist reflects on personal experiences and the various kinds of beachside dwellings that may still be encountered along the Australian coastline.

“There’s a lot of blue. These paintings are about times past and the promise of a slowing down in the future; the anticipation, a longing, sunlight and shadows, clear skies and crisp, fresh mornings - a time for contemplation,” Sweaney says. 

“For this exhibition I have depicted beach houses, some double story but most single, standing amongst developing seaside suburbs as well as those in smaller unaffected villages. Not architecturally significant and often humble, they nevertheless reflect a distinctive aesthetic,” continues Sweaney. “On a personal level,” she muses,  “these places trigger an emotional response, a reminiscing that is a mixture of pleasure with a hint of sadness and longing. In the stillness of winter I am thinking of summer.”

“My favourite time of year is after summer when things are quieter, the light is softer and shadows deeper,” says Sweaney. “Glimpsed amidst the trees or set behind lawns that are a little untidier than the manicured front gardens of the suburbs, many of these houses have been painted in differing shades of blue, softened by years of harsh sunlight,” she imparts. “And invariably, the sea has inspired their names and those of the streets; Pacific Breeze, Sea of Dreams, Beachcomber, Seagull Avenue…”

Read our interview with Robyn Sweaney in the first issue of BAM, here.

Sweaney has been awarded the Allan Gamble Memorial Prize, Mosman Art Prize and the Border Art Prize this year. It has also earned her multiple representations in many of the nation’s most prestigious art awards. To name but a few: the Portia Geach Memorial Award; the Doug Moran National Portrait Prize; the Sulman Prize; the Wynne Prize for Landscape; the Fleurieu Art Prize; the Gallipoli Art Prize; the Salon des Refuses; the Paddington Art Prize; the Mosman Art Prize; the Northern Rivers Portrait Prize; the Tattersall’s Club Landscape Prize; the Adelaide Perry Drawing Prize; JADA, Jacaranda Drawing Prize; EMSLA, Still Life Award and the Country Energy Art Prize. Sweaney holds a Bachelor of Education (Arts and Crafts), State College of Victoria, Melbourne, 1978. She was the Education and Audience Development Officer, Tweed Regional Gallery and Margaret Olley Art Centre, Murwillumbah from 2011 - 2015. Her works are in the following Collections: Art Bank, Gold Coast City Art Gallery, Gold Coast University Hospital Collection, Grafton Regional Art Gallery, Lismore Regional Art Gallery, Tweed River Regional Gallery, Mater Hospital, Sydney, Mitchell Library, State Library of NSW, Southern Downs Regional Art Collection, Stanthorpe.

The exhibition 'Robyn Sweaney - Fade to blue' is showing at Anthea Polson Art, Shop 120 Mariners Cove, Seaworld Drive Main Beach QLD 4217 (next to Marina Mirage), from November 12 - November 26 2016