The Eighth Annual Grace Cruice Memorial Exhibition

Northern Rivers Community Gallery (NRCG) Ballina launches an exciting new exhibition this month and welcomes community and visitors to join us in the Gallery.

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The Eighth Annual Grace Cruice Memorial Exhibition features new 2D and 3D fine art works by members of Ballina Arts and Crafts Centre Inc. The exhibition showcases the diverse talents of the group which draws its members from all over the Northern Rivers region.

This exhibition celebrates the role played by early BACCI members in the establishment of the Northern Rivers Community Gallery and through this display, also hopes to encourage new members to join and share BACCI’s passion for creativity.

Exhibition opens Wednesday 6 June 2018 and continue until Sunday 1 July 2018. The official launch event is Thursday 7 June from 5.30pm – 7.30pm and all are welcome to attend.

We're Closer Than You Think: Northern Rivers Artists

Part of ArtState 2017, We’re Closer Than You Think brings together artwork by several artists based in the Northern Rivers. The exhibition questions the notion of regionality and the perception that artists working outside of metropolitan areas are hindered by location.
 
In various stages of their career and working across a range of disciplines, each artist in the exhibition was chosen for inadvertently refuting the relationship between location and success, population and production, and that the quality of their practice is determined by these imaginary borders.

Be quick! We’re Closer Than You Think will be open until Friday 8 December.
 
Co-curated by Natalie Bull and Zoe Robinson-Kennedy.

Image: Helle Jorgensen,  The lofty thoughts generator and processor . Photo by Michelle Eabry.

Image: Helle Jorgensen, The lofty thoughts generator and processor. Photo by Michelle Eabry.

Artists

Skye Baker
Amanda Bromfield
Kylie Caldwell
Ben Crawford
Michael Cusack
Karla Dickens
Kathryn Dolby
Penny Evans
Stephen Garrett
Natalie Grono
Charlotte Haywood
Helle Jorgensen
Jenny Kitchener
Mahala Magins
Robert Moore
Jess O’Connor
Kat Shapiro-Wood
Amber Wallis
Christine Willcocks
 

Location

The OLD Gallery
(next to Palate Cafe)
131 Molesworth St
Lismore, NSW 2480
 
 

BSA ArtState Exhibitions: APOLLO & Nine

Byron School of Art is presenting two exhibitions as part of ArtState: Nine, at the BSA Project Space, and APOLLO in Lismore.

Diana Miller's  Quilted Earth , acrylic on linen

Diana Miller's Quilted Earth, acrylic on linen

Also, BSA Alumni are showing throughout Lismore, including at the old Lismore Regional Gallery site.

FRIDAY 1 December 6 - 8pm : Opening of Nine

BSA PROJECT SPACE
112 Dalley St, Mullumbimby
Exhibition runs from 1 - 13 December
Open six days, closed Sundays, 10am to 2pm
or by appointment 0431 034 892

 

 

Showing as part of ArtState Lismore 2017


Apollo

AMAC
James Guppy
Alex Hudson
Travis Paterson
Melissa Poole
Zuzana Kovar & Nicholas Skepper
Christine Willcocks
 


An assembly without the limits of the square

30 November - 3 December 2017
 

James Guppy's  Touching her back , acrylic on canvas, 2016  

James Guppy's Touching her back, acrylic on canvas, 2016  

Apollo is a group show from the Byron School of Art BSA Project Space.  It is a re-pairing of works and an assembly without the limits of the square: both documenting a number of past exhibitions and responding to the semi-submerged toy theatre where the exhibition is housed.
 

NORTHERN RIVERS CONSERVATORIUM OF MUSIC
Downstairs Studio, 152 Keen Street, Lismore
Thursday 12pm - 3pm | Friday 10am - 8pm
Saturday 10am - 8pm | Sunday 10am - 3pm

#PRIZENOPRIZE at The Walls Art Space

CHASE ARCHER, HAILEY ATKINS, JANIS CLARKE, RICKY LARRY, 
SOPHIE PENKETHMAN-YOUNG, MELISSA SPRATT, VEOPLE (JAY JERMYN & JULIAN CURRIE)

CURATED BY MARIAM ARCILLA

Opening this Saturday 2 December 5 - 8pm

*Opening night only performance by VEOPLE 6.30pm
**Complimentary Stone & Wood Beer and Miami Mimosas on the house, all night!

Exhibition continues until 16 December, 2017

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ABOUT #PRIZENOPRIZE
Riding along the undercurrents of Turner Prizes and Archibalds, #PRIZENOPRIZE is an exhibition that champions and democratises art across all media and levels. Think of it as a soft power alternative to the head-churning, nail-biting process that comes with applying for art awards - or being shortlisted for the coveted Bachelor rose of the artworld.

There is no prize money, entry fee or % commission on sales; instead this is an open platform for contemporary and experimental artists (especially emerging artists) across Australia to exhibit/perform at THE WALLS this December -- which we think is a prize in itself. We'll be showcasing a cross-section of works, including multi-disciplinary, projection and moving-image based, performance and large-scale installation works. #PRIZENOPRIZE 2017 marks the second year of the national open call and exhibition.

ABOUT THE ARTISTS
CHASE ARCHER is an emerging artist based in Brisbane. Chase obtained his Bachelor of Fine Art in 2015 from the Queensland College of Art and is currently completing his Honours. Archer questions how traditional media practices such as painting, print and drawing can maintain relevance in a contemporary environment that is focused on dematerialised art practices. He describes his artworks as painted collages, assembled from images ranging from personal iPhone photos, to the historic art canon. In creating artworks on translucently primed plywood substrates, which remain visible in the final artworks, Archer disrupts the ‘illusory window’ often employed in traditional paintings, creating a platform in which he presents his deconstructed artworks. Archer regularly exhibits in Brisbane and Melbourne, and recently completed a month-long residency on the west coast of Tasmania.

HAILEY ATKINS is a Brisbane based artist making work that she hopes makes people feel good and remember laughing is good stuff – especially when it’s at your own self. Her sculptural practice sits at the intersection of humour, failure and ambivalence, and explores how the resulting aesthetic can be utilised to meaningfully disrupt the negativity surrounding failure and self-doubt and help us think of alternate ways of being and knowing that stand outside our conventional understanding of success. Atkins is a Queensland College of Art graduate (BFA with Honours (Class I)) and has exhibited widely in Queensland, as well as interstate (Sydney, Hobart) and internationally (Utrecht, Netherlands). She is co-director of Wreckers Artspace in Brisbane, and upcoming artist in Residence at Kaus Australis, Rotterdam (Jan-Mar 2018).

JANIS CLARKE is an emerging artist living and working in Sydney. He has completed a Bachelor of Fine Arts (2015) and a Master of Fine Art (2017) at the National Art School. Clarke has a profound interest in the critique of painting in contemporary art. He consciously undermines established norms (both personal and historical) and to this end, he embraces failure and the anti-aesthetic sensibility as strategies for moving painting forward to somewhere new. He does this through the use of anti-authorial gestures, the kitsch of craft, and by embracing the use of so called ‘low’ colours, materials and processes such as fluorescents, spray paint, collage and decoupage. By employing counter-intuitive methods (such as ‘wrong’ instead of ‘right’) Clarke tries to undermine his own ingrained stylistic tendencies to create something unanticipated. Situated somewhere between painting, craft and sculpture, these abject principles are applied to the installation, presentation and construction of each work. Since 2015 Clarke has held three solo exhibitions and has been selected as a finalist in major prizes including the Doug Moran National Portrait Prize (2016, 2015), The Mosman Art Prize (2016, 2015), The Chippendale New World Art Prize (2015 - Winner People’s Choice Award) and the Rick Amor Drawing Prize (2016).

RICKY LARRY is a Brisbane based artist who completed a Bachelor of Fine Art (2014) at Queensland College Of Art. Since graduating from Queensland College of Art in 2014 Ricky has held two solo exhibitions and been selected for several group shows including 'Shifting Grounds’ at The Hold Gallery, West End. Larry’s art practice examines the nature of perception in relation to space, environment and form through the use of photography, video and installation. Utilising materials to challenge a logical thought process, illusions are introduced in an attempt to fracture the viewer’s go-to mode of rationality. Incorporating ‘objects’ into familiar environments to generate a “questionable image”, forces the audience to draw conclusions as they make sense of the works.

SOPHIE PENKETHMAN-YOUNG is a video and new media artist whose work explores the telling of histories through objects, museum culture and their intersection with the digital age. She examines the equalising nature of platforms such as youtube, where the BBC, Metropolitan Museum and NASA have uploaded vast archives, that now sit in the same context as beauty bloggers and school pranks. Sophie graduated from the University of Sydney College of the Arts with Honours in 2014. She is currently studying her Masters in art curatorship. Day to day, Sophie works part time in marketing at Carriageworks, does Ikebana and adDs to her archive of NASA footage and old national geographic magazines.  

MELISSA SPRATT is an emerging artist who lives and works on the Gold Coast. Melissa studied at the Queensland College of Art, Gold Coast, where she completed a Bachelor of Digital Media with Honours, majoring in Fine Art in 2015, including an exchange at the Leeds International Summer School at the University of Leeds, UK. Spratt has worked across various mediums including painting, photography, drawing and printmaking, more recently exploring textile and design elements in sculpture, and working closely with different yarn making and finger-knitting techniques. Spratt was the winner of the RADFLY Youth Art Prize in 2017, finalist in the Border Art Prize at Tweed Regional Gallery in 2016, and was invited to hold a self titled solo exhibition at The Arts Centre Gold Coast in 2015. Her most recent installation works explore landscapes, ecosystems and patterns found in plant anatomy.

VEOPLE is a collaboration between Gold Coast-based artist JAY JERMYN and local musician JULIAN CURRIE, and is best described as a place where analogue meets machine. The collaboration strives to create atmospheric journeys full of energy and enigma that demand attention and captivate crowds. Jermyn solo practice communicates the weight and importance of social acceptance through an interweaving of creative expressions including design, sound and visual art. Jermyn studied Art and Design at Griffith University on the Gold Coast where he developed a multi-disciplinary practice that seeks to confront cultural divisions, both geographical and metaphorical. His practice is influenced by journeys through Japan and Eastern Europe, and is defined by an ongoing quest to locate enigmatic identities and emotions; both of which emerge as abstract and ambiguous forms in his work.

Art on Bundjalung Country

 

Art on Bundjalung Country opens tonight at Lismore Regional Gallery.

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Increasingly, creativity is being seen as a major indicator in increasing people’s health and wellbeing. Art on Bundjalung Country is a major partnership between the Gallery, Arts Northern Rivers, North Coast Primary Health Network, Bulgarr Ngaru Aboriginal Medical Corporation and University Centre for Rural Health to stimulate artistic practice for emerging Aboriginal artists to enhance their social, economic and health outcomes. This partnership is advised by a committed steering group of Aboriginal and non-Aboriginal arts and health professionals.

Throughout 2017, a series of workshops have been held across the region by established Aboriginal artists including Penny Evans, Gilbert Laurie, Francis Belle-Parker, Michael Philp, Cherie Leon and Robin Davis to pass on their creative skills to a wide range of emerging Aboriginal artists. The result will be an exhibition acknowledging the depth of current practice in the region, and celebrating the next crop of up and coming Aboriginal artists working in Bundjalung country.

Friday, December 8, 2017 at 5.30pm (for 6.00pm speeches)

To be opened by Dr Vahid Saberi, Chief Executive Officer, North Coast Primary Health Network.

Speeches will be followed by a performance by the Nini Nahri-Gali dance Troupe.

Artists: Apply to exhibit at Lone Goat Gallery in Byron

Applications to exhibit at Lone Goat gallery are now open. Applications for the 2018 program will be accepted until January 31 2018. Lone Goat Contemporary community art gallery is located in downtown Byron Bay, right across the road from the beach.

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Applications for the 2018/19 exhibition program close: 31 JANUARY 2018.
Applicants advised of outcome of their application by email: 28 FEBRUARY 2018
To download an application form, click HERE

 
Lone Goat Gallery is now accepting Exhibition proposals from artists, designers, curators, community and cultural groups.


Lone Goat Gallery encourages exhibitions which showcase the high calibre and creativity of artists and crafts practitioners from the Northern Rivers region and further afield.
 
Lone Goat Gallery welcomes all art forms and cultural heritage that display innovative ideas and approaches to contemporary arts practice. The gallery program features exhibitions of 4 weeks-duration.
 

 

Art Piece Gallery's Inaugural 30x30 Art Prize Winners Revealed

Saturday evening revealed the (joint!) Winners of the inaugural Art Piece Gallery 30x30 Art Prize: Kat Shapiro Wood, and Vanessa Stockhard.

The $6000 prize will be divided between the two artists. As expected, a huge crowd turned out to witness the announcement. The previous day, judges Susi Muddiman OAM and artist Amanda Penrose Hart, winner of the 2017 Gallipoli art prize had considered all 230 pieces, and after much deliberation, decided to equally divide the First Prize between two artists. The exhibition of finalists will be on view at the gallery until January 22 2018.

The Winners:

Joint First Prize

Kat Shapiro Wood  Hover, encaustic on board, 30 x 30 cm

Kat Shapiro Wood
Hover, encaustic on board, 30 x 30 cm

Other awards:


Best Still Life in Show
Nick Coulson
Still Life with Jug, Hallway and Windows I
acrylic and graphite on board
30 x 30 cm

Highly Commended Awards
Gaia Barnatan
Head in the clouds
photocollage
30 x 30 cm(framed)

Clare Purser
Fassifern Valley III
oil and mixed media on board,
30 x 30 cm(framed)

Gaia Barnatan,  Head in the clouds

Gaia Barnatan, Head in the clouds

People's Choice Award
Kindly sponsored by The Mullumbimby Chamber of Commerce
This is a newly added prize of $500.00 and is only available
by voting in person, at the gallery.

This new, national, non-acquisitive prize is for a 2D work of art in any medium measuring 30x 30 cm.

Vanessa Stockard  Pleasure and Pain, acrylic on board 30 x 30 cm (framed)

Vanessa Stockard
Pleasure and Pain, acrylic on board
30 x 30 cm (framed)

Nick Coulson  Still Life with Jug, Hallway and Windows I

Nick Coulson
Still Life with Jug, Hallway and Windows I

Clare Purser ,  Fassifern Valley III

Clare Purser, Fassifern Valley III

Art in the Pub: Annique Goldenberg's Arctic Residency

Join us Monday 27th November for the last Art in the Pub for 2017

 

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The Walls #PRIZENOPRIZE 2017 Artists Announced

CHASE ARCHER, HAILEY ATKINS, JANIS CLARKE, RICKY LARRY,
SOPHIE PENKETHMAN-YOUNG, MELISSA SPRATT, VEOPLE (JAY JERMYN & JULIAN CURRIE)

CURATED BY MARIAM ARCILLA

Opening Saturday 2 December 5 - 8pm

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*Opening night only performance by VEOPLE **Stone & Wood Beer and Miami Mimosa's on the house all eve!  Exhibition continues until 16 December, 2017


Keep your eyes on the no-prize! #PRIZENOPRIZE returns for a second year.


Riding along the undercurrents of Turner Prizes and Archibalds, #PRIZENOPRIZE is an exhibition that champions and democratises art across all media and levels. Think of it as a soft power alternative to the head-churning, nail-biting process that comes with applying for art awards - or being shortlisted for the coveted Bachelor rose of the artworld.


There is no prize money, entry fee or % commission on sales; instead this is an open platform for contemporary and experimental artists (especially emerging artists) across Australia to exhibit/perform at THE WALLS this December -- a prize in itself! They'll be showcasing a cross-section of works, including multi-disciplinary, projection and moving-image based, performance and large-scale installation works.

Talk Suite | Coming into Fashion

The Arts Centre Gold Coast is hosting an impressive talk suit to coincide with the Coming into Fashion: A Century of Photography at Condé Nast exhibition.

This full-day talk suite will see the biggest names in Australian and international fashion come together with journalists, practitioners, and thought leaders to discuss their expertise and the future of the industry. With two full panels and two intimate in-conversation sessions, the day is punctuated by a networking lunch. Talk Suite attendees will gain free entry to the exhibition and also have the chance to mingle and speak directly with the special guests at the end of the day.

Saturday 25 November | 10am – 4.30pm | Tickets $45

Talk Suite Schedule

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Condé Nast, The Empire
10am – 11am
This panel will see Coming into Fashion Exhibition Curator
Natalie Herschdorfer, Exhibition Manager Todd Brandow,
Vogue Australia Deputy Editor Sophie Tedmanson, and
curator and writer Alison Kubler come together to discuss
the enduring legacy of publishing house Condé Nast.
They will dissect, critique, and celebrate the iconic images
featured in the exhibition, exchanging opinions and stories
you won’t be able to hear anywhere else. Attendees will
gain a deeper understanding and appreciation of the best
artists and photographers in contemporary fashion history.


Oracle Fox Talks
11.15am – 12.15pm
Amanda Shadforth is the brains and creative genius behind
one of the world’s most recognised fashion destinations,
Oracle Fox. Alison Kubler will host this intimate in-conversation
session and together they will cover the future of fashion
photography, illustration, and what social media means for
photography. Amanda is an accomplished illustrator and artist,
and has worked as a photographer and stylist on dynamic
digital campaigns and creative projects for international luxury
brands such as Versace, Ralph Lauren and Louis Vuitton. She
has grown Oracle Fox’s audience to its current reach of over
1.5 million people.


Lunch break with beverages and networking

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Sunday Best to Fast Fashion
1.30pm – 2.30pm
How has the way we make, sell, and market clothes
changed? Listen to an illuminating (and at times alarming)
conversation with Clare Press, the highly regarded author
of Wardrobe Crisis: How We Went From Sunday Best to
Fast Fashion. Clare is the Fashion Editor-at-Large at Marie
Claire Australia, Daily Life’s Sustainable Style columnist,
and now produces the Wardrobe Crisis podcast. Hosted by
Alison Kubler, these women bring their combined wealth
of research and real-world experience to discuss the
evolution of the fashion system, from past to present, and
will discuss what they see as the future of fashion. Clare
will be available for book signings after their conversation.

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Fashion and the Sartorial Gentleman
2.45pm – 3.45pm
The final session for the day will be a lively discussion
between two of fashion’s finest gentlemen, hosted by Alison
Kubler. Men in This Town began as a street style blog, and in
the past seven years Creative Director Giuseppe Santamaria
has grown the project into a magazine, book, and concept
space. Paul Hunt’s studio is in Brisbane, but he also spends
time each year sourcing fabrics and finding the inspiration for
his award-winning couture in Paris. Giuseppe and Paul both
have, and purvey, impeccable style, and this panel promises a
worldly insight into both Australian and international fashion.


After drinks and networking, the day will
conclude at 4.30pm

Talk Suite image - Sebastian Kim, Teen Vogue, January 2011 © Sebastian Kim  

Talk Suite image - Sebastian Kim, Teen Vogue, January 2011 © Sebastian Kim  

Coming into Fashion: Condé Nast fashion retrospective opens at ACGC

The highly-anticipated fashion photography retrospective Coming into Fashion: A Century of Photography at Condé Nast opens Friday at The Arts Centre Gold Coast.

The greats are all here: images by Cecil Beaton, Irving Penn, Helmut Newton, Herb Ritts and Mario Testino (& more!) line the gallery walls. It's a must-see exhibition for anyone living in, or visiting the Gold Coast.

Here is what's on offer:

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Opening Night | Coming into Fashion

Friday 24 November | 6pm – 9pm | Tickets $90
The opening night party is your opportunity to mingle with the style greats and get an exclusive first look at Coming into Fashion: A Century of Photography at Condé Nast. Your ticket includes flowing drinks and delicious canapés through the night, touch-ups and tips from the experts at the Garbo & Kelly Beauty Bar, and photo opportunities at the designer vogueing wall. Once you’ve taken in the exhibition, spend the rest of the night on the dance floor with live band Tesla Coils and a vinyl DJ. As an opening night guest you will gain free entry into the exhibition plus one more ticket for when you want to return later in the season.

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Talk Suite | Coming into Fashion

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Saturday 25 November | 10am – 4.30pm | Tickets $45
This full-day talk suite will see the biggest names in Australian and international fashion come together with journalists, practitioners, and thought leaders to discuss their expertise and the future of the industry. With two full panels and two intimate in-conversation sessions, the day is punctuated by a networking lunch. Talk Suite attendees will gain free entry to the exhibition and also have the chance to mingle and speak directly with the special guests at the end of the day.


General Admission

25 Nov 2017 until 18 Feb 2018, open daily 10am-5pm (closed Christmas Day)

Coming into Fashion: A Century of Photography at Condé Nast is a ticketed exhibition on display at Gold Coast City Gallery. With unprecedented access to the vast Condé Nast archives, this exhibition highlights the sparkling intersection between photography and fashion.

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General exhibition image: Sølve Sundsbø, Love, Spring/Summer 2011© Sølve Sundsbø/Art + Commerce. Subsequent images:  Miles Aldridge, Vogue Italia, September 2002,© Miles Aldridge. Albert Watson, American Vogue, May 1977© 1977 Condé Nast. Sebastian Kim, Teen Vogue, January 2011 © Sebastian Kim Clifford Coffin, American Vogue, June 1949, © 1949 Condé Nast.

Paul McNeil | Side On at RVCA Gallery

Join us for the opening of Side On by Paul McNeil at RVCA Gallery this Thursday 6-8pm.

And see McNeil featured in the Summer '17 issue of BAM, out early December!

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TextaQueen turns nudes upside down at TRG

TextaQueen, Save Yourself (self-love self-portrait) 2013, from the series Unknown Artist, fibre-tipped markers, acrylic paint and coloured pencil on paper, Corrigan Collection

TextaQueen, Save Yourself (self-love self-portrait) 2013, from the series Unknown Artist, fibre-tipped markers, acrylic paint and coloured pencil on paper, Corrigan Collection

TextaQueen's humorous and subversive works upend the traditions of the salon nude and narrative portraiture.

Armed with a felt-tipped pen, she playfully tackles complex issues of race, exoticism, gender, sexuality and identity.

TextaQueen's engaging portraits are showcased in Between You and Me, the first survey exhibition of this contemporary artist, on display at Tweed Regional Gallery from 8 December 2017 - 25 February 2018.

The survey exhibition brings together more than 30 works, highlighting TextaQueen's compelling marker works on paper, as well as a new suite of photos created during a recent placement at Mornington Shire's Police Point Artist in Residency Program.

Tweed Regional Gallery Director Susi Muddiman said: "In 2011, the Gallery acquired a wonderful etching of The true history of the Kelly Gang by TextaQueen, which is currently on display in our collection show, Go Figure.

"This new touring exhibition, Between You and Me, is a fantastic opportunity for our audiences to witness the full extent of TextaQueen's unique practice and experience the colour and vibrancy of her work."

Everyone is invited to an official opening of Between You and Me on Friday 8 December 2017 at 6pm (DST), by Joanna Strumpf, Co-Founder & Co-Director Sullivan+Strumpf, Sydney & Singapore.

TextaQueen: Between You and Me is a Mornington Peninsula Regional Gallery travelling exhibition and is supported by Mornington Peninsula Shire.

TextaQueen, Where we will go when the world implodes? (Taylor Mac) 2006, fibre-tipped markers on paper, Mornington Peninsula Regional Gallery, Victoria, Purchased from National Works on Paper, 2008

TextaQueen, Where we will go when the world implodes? (Taylor Mac) 2006, fibre-tipped markers on paper, Mornington Peninsula Regional Gallery, Victoria, Purchased from National Works on Paper, 2008

From Here to There: Australian art and walking

BAM Associate Editor Sharne Wolff and Contributor Jane Denison have been commissioned by Lismore Regional Gallery to develop the curatorial concept From Here to There: Australian Art and Walking due to their shared interest in walking and art.

Lismore Regional Gallery has been selected as the Dobell Exhibition Grant for 2018 for the exhibition curated by Wolff and Denison.

The exhibition will present eight leading Australian artists who incorporate the everyday act of walking in their art. The first of its kind in Australia, the exhibition features work by Lauren Brincat, Dean Brown, Daniel Crooks, Agatha Gothe-Snape, Alex Karaconji, Noel McKenna, Sarah Mosca and Liam O’Brien.

Lauren Brincat, This Time Tomorrow, Tempelhof, 2011, Documentation of an action. Single-channel digital video, colour, audio, 5’:19” Image courtesy the artist and Anna Schwartz Gallery

Lauren Brincat, This Time Tomorrow, Tempelhof, 2011, Documentation of an action. Single-channel digital video, colour, audio, 5’:19” Image courtesy the artist and Anna Schwartz Gallery

The works are selected on two criteria: an artwork based on a visual reference to the act of walking, or an artwork produced as the result of walking. For example, the act of walking is forefront in Daniel Crooks’ spliced video productions that investigate walking as motion and in Dean Brown’s works that depict solitary walking figures. Artworks produced as a consequence of walking include Noel McKenna’s detailed drawings of observations from his suburban walks, and Sarah Mosca’s delicate photographs that record the warmth and feel of the artist’s moving body.

The Dobel Exhibition Grant will enable From Here to There to reach its full potential, to bring important Australian artists to Lismore’s regional community and support public programs that demystify the works, educate audiences and provide a range of easily accessible activities to explore how walking can unleash creative adventures.

This funding will also allow the exhibition to expand to include more works of greater scale and the commissioning of two significant new works. It will also support a residency for one artist which will enable the production of a new work relevant to the local area, an artist talk and a guided map-making activity for audiences.

The Dobell Exhibition Grant, supported by the Sir William Dobell Art Foundation, offers $40,000 in funding to one regional NSW gallery per annum. The program aims to support high-quality exhibitions that speak to a broad audience across NSW. To assist in expanding appreciation for the visual arts, these exhibitions should be supported by innovative public and education programs that creatively engage both artists and the community.

Read more about the Dobell Exhibition Grant

 

ABOUT THE SIR WILLIAM DOBELL ART FOUNDATION

The Foundation was formed in 1971 from the artist’s bequest with instructions that “a Foundation be established for the benefit and promotion of art in NSW."

Since then, the Foundation has sponsored a wide variety of projects and is best known for the Dobell Drawing Prize, which ran for 20 years at the Art Gallery of NSW and evolved into the new Dobell Australian Drawing Biennial in 2014.

The Foundation supports acquisitions to public collections, as well as publications, films and educational programs, including the annual Year 11 student Dobell Drawing School held with the National Art School.

 

The Dobell Exhibition Grant is supported by the Sir William Dobell Art Foundation and managed by Museums & Galleries of NSW.

 

Artists: Apply to Exhibit at new LRG

Exhibition Proposals

CALL FOR PROPOSALS :: NEXT DEADLINE: 27 NOVEMBER 2017

Are you interested in exhibiting with Lismore Regional Gallery?

The first floor will showcase curated exhibitions, touring exhibitions and a dedicated gallery for the permanent collection. We will balance our program in these spaces across the year so that it reflects the diverse interests and voices of people from our region and beyond.

The prominently located downstairs gallery will prioritise local early career artists in a program of about eight exhibitions per year. The gallery is approx 9.8m x 3.5m x 3.4m (h) (download floor plan here) and has gallery lighting and hanging tracks. Artists will receive a fee of $250 per show, and be expected to help with installation/de-installation. With a large floor to ceiling window, the gallery space will be highly visible to people passing by and those engaging in activities in the Lismore Quadrangle.

Exhibition proposals can be submitted anytime throughout the year and selected by a panel.

Submitting your proposal

If you would like your artwork to be considered for exhibition at Lismore Regional Gallery, you can submit a proposal including:

• Images (10 maximum)
• CV/ BIO
• links to website (if available)
• an exhibition statement (approx. one page)

Your exhibition statement must include an artist’s statement/conceptual premise and a description of the show. You can also include ideas you have for public programming (workshop/artist talk/performance etc) and any preference for dates.

Download a proposal form here

Email your proposal to art.gallery@lismore.nsw.gov.au.

Industrial Relations  exhibition by Leora Sibony. Photograph: Kate Holmes

Industrial Relations exhibition by Leora Sibony. Photograph: Kate Holmes

The Art of Mathematics: Murri the Prime Ingredient of a Pi

Frank Murri, The Prime Ingredient in a Big Piece of Pi (π) - Panel # 43 (12,288 - 12,586 digits) 2017, timber, acrylic and ink on board, 94x58cm, ©Frank Murri, 2017

Frank Murri, The Prime Ingredient in a Big Piece of Pi (π) - Panel # 43 (12,288 - 12,586 digits) 2017, timber, acrylic and ink on board, 94x58cm, ©Frank Murri, 2017

Newcastle-based artist Frank Murri integrates art and math in his exhibition The Prime Ingredient in a Big Piece of Pi (π),  featured at Tweed Regional Gallery from 24 November to 22 April 2018.

Mathematics and art share a long historical relationship. Philosopher and mathematician Bertrand Russell encapsulated the synergy between the two disciplines, stating: "Mathematics, rightly viewed, possesses not only truth, but supreme beauty — a beauty cold and austere, like that of sculpture".
 
In his ambitious exhibition, Murri has encoded and carved 31 timber relief sculptural panels with the first 9014 digits of the Pi number (an irrational number with no end or repeating pattern). Within this sequence, the artist has highlighted the first four single digit prime numbers using primary colours, in an exploration of the aesthetic in number theory.
 
Murri said: "By looking into the realm of pure mathematics, there lies within a beauty which transcends its usual form. The pieces I've created are formulated to capture this beauty."
 
The Prime Ingredient in a Big Piece of Pi (π) will officially open at Tweed Regional Gallery & Margaret Olley Art Centre on Friday 24 November at 6pm (NSW time).
 
On Sunday 10 December at noon to 2pm, Frank Murri will facilitate a fun, engaging free drop-in activity for children aged 3 years and over. Working with paper and pens, LEGO® bricks, or a drawing app on smartphones, children will explore how probability can shape an artwork with repeated throws of a dice.  

 

New Photography Book Sheds Touching Light on Byron Homeless

No Fixed Abode is a book of portrait photographs and intimate stories that give voice to Byron’s homeless community. The book was created to build connection, empathy and understanding for the region’s homeless community.

The black and white photographic portraits in the book are the work of local photographer Drew Rogers, who also works with people experiencing homelessness in Byron. The trust and friendship that he has with his subjects is evident in the images.

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An astonishing book… the photographs by Drew of these homeless people are brimful of humanity, almost glamorous… heartfelt stories by the writers… I hope one of these days a book like this won’t be needed.
— Craig McGregor, writer, journalist, & academic
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The book’s stories are presented in firstperson narrative and have been collected by a team of local volunteer writers who’ve visited the services such as community breakfasts and showers in Byron Bay, Mullumbimby and Brunswick Heads over many months. The stories present an intimate insight into the lives of these storytellers. Such as from Lou:
“It was just before my fourteenth birthday when I went to the streets for the first time. My first night on the street I was sleeping under a band stand and three dogs attacked me, so I scrambled up a tree and tried to tie my sleeping bag under a branch. The sleeping bag gave way and I fell … I’d broken twelve bones and had fractures in my spine.”

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"No Fixed Abode, published by the Byron Community Centre and The Byron Writers Festival gently addresses that callous disconnect by giving otherwise stifled, invisible Australians a face and a voice. By exploring the stories of people who’ve fallen through society’s cracks, readers can better understand some of the common trajectories of disenfranchisement – and what a truly horrible thing it is to be without a home." -Byron Community Centre

The book is a not-for-profit project that has been made possible by contributors volunteering their professional skills, and through the support of the Byron Community Centre, Byron Writers Festival and private donors L & R Uechtritz Foundation and Temple Byron. 

ARTIST CALL-OUT/ Ignite Studios @ NRCG

Northern Rivers Community Gallery (NRCG) is excited to announce an expansion of Gallery Services to include ‘Ignite Studios’.

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Located in the heart of the Ballina CBD, adjacent to the NRCG and housed in the historic former Ballina Fire Station, Ignite Studios @ NRCG will provide a dynamic shared access space supporting the development and participation of artistic pursuits. This exciting new addition to the NRCG facilities is scheduled to open February 2018 and will include four artist studios, a visiting artist-in-residence (AiR) studio and two access spaces for workshops, creative events, pop-up exhibitions, meetings and special projects.

NRCG is currently inviting applications for the ‘Artist Studio’ program. The ‘Artist Studio’ spaces are available for a twelve month lease to creative practitioners from all disciplines, including but not limited to, design, craft, painting, digital media, photography, filmmaking, performance, sculpture and writing. Artists from Ballina Shire, Northern Rivers and across NSW are welcome to apply.

The Artist Studio program at ‘Ignite Studios @ NRCG’ is designed to encourage co-working and an open platform for professional development and opportunity. Supporting makers and creative professionals working across various fields, the program:

  • provides professional workspaces
  • enables creative projects
  • fosters networking opportunities with arts influencers, local communities and peers through NRCG annual program
  • generates a hub for artistic practice and ideas

Ignite Studios @ NRCG – providing greater access to shared creative space in the Northern Rivers region.
Artist Studio Applications close Friday 1 December 2017.

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